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	<title>Vivienne Griffin </title>
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	<pubDate>Fri, 14 Aug 2020 18:09:11 +0000</pubDate>
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		<title>I LEAF</title>
				
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		<pubDate>Fri, 14 Aug 2020 18:09:10 +0000</pubDate>

		<dc:creator>Vivienne Griffin </dc:creator>

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2020

I LEAF,&#38;nbsp;&#38;nbsp;2020Digital Video, Animation, SoundSound collab solturaCommissioned by Somerset House Studios︎︎︎ back&#60;img width="1080" height="1920" width_o="1080" height_o="1920" data-src="https://freight.cargo.site/t/original/i/d23ad1c2c7126c19f73616436ee168871ac058ebcea79beeceb3f4c10273f898/MR-AR.png" data-mid="88467265" border="0"  src="https://freight.cargo.site/w/1000/i/d23ad1c2c7126c19f73616436ee168871ac058ebcea79beeceb3f4c10273f898/MR-AR.png" /&#62;



	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="1080" height="1920" width_o="1080" height_o="1920" data-src="https://freight.cargo.site/t/original/i/a02d20fe94fbf083d1443bb365d7abfd44d986f7b09bddda2f3387b7513ee565/IM-AN-OBJECT-LIKE-YOU-10.png" data-mid="88468680" border="0"  src="https://freight.cargo.site/w/1000/i/a02d20fe94fbf083d1443bb365d7abfd44d986f7b09bddda2f3387b7513ee565/IM-AN-OBJECT-LIKE-YOU-10.png" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;


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		<title>AGM</title>
				
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		<pubDate>Fri, 14 Aug 2020 18:09:10 +0000</pubDate>

		<dc:creator>Vivienne Griffin </dc:creator>

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Codepedent
Frequencies, 2019, 8 channel sound work, mapped (different sounds
placed on different speakers) over 5 flights of stairs, in an acoustically wet
stairwell at Somerset House, London. A MAX Msp patch (computer coded sound synthesis)
played sine waves that were close in frequencies (i.e. 220 hz played near 221
hz) to produce beating; a natural rhythmic phenomena when sine waves have close
frequencies. Mixed with samples from Purple Rain that were transposed to fall
into very low frequencies as the sound travelled though the speakers down the
stair well. The upper floors contained only high frequencies and in the subbasement
the frequencies dropped, only audible through the subwoofer.



 






︎︎︎ back


	Sep 21 2020

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		<title>South Kiosk</title>
				
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		<pubDate>Fri, 14 Aug 2020 18:09:11 +0000</pubDate>

		<dc:creator>Vivienne Griffin </dc:creator>

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2020,&#38;nbsp;The Crisis of Now, South Kiosk,
London
16 channel sound work, led florecent lights, electric blanket. Remix on Sound Cloud.Remix - Music for Dead People








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		<title>Info</title>
				
		<link>https://viviennegriffin.com/Info</link>

		<pubDate>Fri, 14 Aug 2020 18:09:11 +0000</pubDate>

		<dc:creator>Vivienne Griffin </dc:creator>

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		<description>
Vivienne Griffin&#38;nbsp;
BUREAU, NYCRESIDENT AT SOMERSET HOUSELecturer at The Royal College of Art

vivienne.griffin at gmail dot com

@vivienne.griffin


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&#38;nbsp; &#38;nbsp;SHOWS + WORK + PERFORMANCES︎︎︎
Upcoming︎︎︎
Artists' book with Montez Press Sonic Arts Week, The Auxiliary, Middlesbrough, supported by PRS FoundationSARC, BelfastStudio Voltaire, Project Space

RECENT &#38;amp; CURRENT︎︎︎
2025&#38;nbsp;A—Z X PAF Olomouc presents Always Coming Home, performance with Josh Woolford at Corsica Studios
 
2025&#38;nbsp; Bureau, group show NYC

2025 Shimmer, Rotterdam, group show
2025 Montez Radio, show and performance
2025 Softpower, Standalone
2025 Dallas Invitational


2025, The New Note, with Úna Monaghan, closing performance at HKW auditorium for Transmediale Festival, Berlin &#38;nbsp;
2024 Mercy, Current Plans, Hong Kong

2024 Open Tabs, with Cian McConn, Centrum, Berlin
2024 Montez Press Radio End of Year Party, performance with Zach Toppin

2024 The Song of Lies, solo show at Bureau, New York

2024 Song of Lies Press - Una Mullally, ‘What’s Next For...?: Vivienne Griffin,’ The Irish Times,
2024 A---Z,&#38;nbsp; Always Coming Home, performance with Josh Woolford at Matt's Gallery

2024 Coalescence, Showroom, curated by Paul O'Neil and Harold Offeh, performance feat. Alexandra Achillea, Lydia Samuels, Rosalie Warner

2024 Assembly, Somerset House, performance with Úna Monaghan

2024 Nothing Compares to Nothing Compares to You, Montez Press Radio, radio shows

2024 MERCY: Exploring the experience of justice through AI with Cari Hyde-Vaamonde, King's Festival of Artificial Intelligence
2023 Slug, Leipzig, performance 
2023 IMRAM, Féile Litríochta Gaeilge, feat. in Úna Monaghan’s performance
2023 Northern Lights, Belfast and Derry, performances 
2023 Critical Listening, workshop, Coventry, UK with Matt Williams (Camden Arts Centre)
2023 MERCY, Kings Festival of Ai, screening and exhibition with Turing Institute Researcher Cari Hyde-Vaamonde
2023 Quantum Listening, Camden Arts Center, launch of Pauline Oliveros book, listening session
2023 Pembury Synth Project, funded by Arts Council England and Chelsea Arts Trust
2023 MERCY Screening, Transmediale, Berlin, 
2023 Screening With Flora Yin Wong, The Jazz Café
2022 On Paper, Echo, Cologne, drawings
2022 Somerset House and Kings Culture Collaboration, R + D funding 
2022 M E R C Y, Somerset House and Kings Culture talk
2022 IKLECTIKA, The Oram Awards Panel
2022 Latent Joy, with Paul Purgas and guests for Somerset House 
2021 The Fake Haven, text published in Roehampton Roundtable journal
2021 The Fake Haven, Manchester International Festival, exhibition

2020 I LEAF, Somerset House, London, screening
2020 Until Tomorrow, Bureau, NYC, exhibition
2020 I should be doing something else right now, Gallery 31, Somerset House, London, exhibition
2020 THE UNNOW NOW, Somerset House, London
2020 The Crisis of Now, South Kiosk, London, exhibition
2019 OSMOSCOSMOS, photographie triennale 50JPG, The Centre de la Photographie Genève (CPG),
2019 Awarded studio space at Somerset House Studios
2018 The Agony, Montez Press Radio, New York City
2018 Here Now, SPACE Art and Tech residency and show, London
2018 Condo, showing with Bureau at Southard Reid, London
2018 How to get out of your head, Café Oto, workshop, London
2017 I should be doing something else right now, Grand Army Collective in Brooklyn
2017 I As In Us, Museum of Contemporary Art, Romania
2016 Survival Kit, Performance art festival, Latvia
2016 I As In Us, Drop Everything, Ireland
2016 Mono, Performance and Video Screening
2015 Artists Voices, exhibition and vinyl record, Center D’Edition Contemporaine, Genève
2015 Exit, Stuttering &#38;amp; Nebula, KIM?, Center for Contemporary art, Latvia
2015 Pangrammer, P!, New York NY
2015 She Said, Bureau, New York
2014 The Nostalgia of an Object and the Pain of Glass, Vilnius, Lithuania
2013 Like Nature But Not, Four to Seven, Riga, Latvia

2013 The Me Song For Now Here, Bureau, New York, NY

2014 Lina Lapelyte's Hunky Bluff (feat. costumes by Vivienne Griffin &#38;amp; Cian McConn), Serpentine Galleries, London, UK

2014 Tin Type, with Cian McConn, EC1&#38;amp;WC1 Galleries, London, UK

2014 Drop Everything, with Pratique Actuelle, Inish Oirr, Ireland

2013 An Annotated Exhibition, Hilary Crisp, London, UK
2013 No Sorries in the Circle, Coleman Projects, London, UK2013
2013 Bureau at LISTE 18, Basel, Switzerland

2013 Desire, Yancey Richardson Gallery, New York, NY
2013 Performance with Cian McConn &#38;amp; Kaspars Groshevs, Tintype Gallery, London, UK
2013 Monsalvat, Bureau, New York, NY
2012 Performance with Cian McConn, Cafe Oto, London, UK
2012 Performance with Cian McConn &#38;amp; Kaspars Groshevs, Chisenhale Studios, London, UK
2012 The Show House, The Show House (temporary project space), London, UK

2012 Bureau at NADA, Miami, FL
2012 Day of the Dead, The Old Vic Tunnels, London, UK
2012 Drop everything, Inish Oirr, Ireland
2012 A Performance with Cian McConn, The Sculpture Building, RCA, London, UK
2012 Open Book, curated by Nigel Rolfe, Testbed, Battersea, London, UK
2011 Tropical Heat, curated by Mette Kjaergaard Praest, Henry Moore Gallery, RCA, London, UK
2010 Solid State, Bureau, New York, NY
2009 Everything Must Go, Century Plaza Shopping Mall, Birmingham, AL
2008 Altered States, Francis Lewis Gallery, New York, NY
2007 House Projects, Atlantic Avenue, Brooklyn, New York, NY
2007 Chashama, With Art Collective Dos Pestaneos, New York, NY
2007 Group Show with Dos Pestaneos, Go Go Gallery, Miami, FL

2006 X-MASS the spot, Draíocht Arts Centre, Blanchardstown, Dublin, Ireland

2006 The Vaults, The Fenton Gallery, Cork, Ireland
2005 The Concourse, Dun Laoghaire/Rathdown Civic Office, Dublin, Ireland
2005 Passing Through, Glucksman Gallery, UCC, Cork, Ireland


AWARDS &#38;amp; GRANTS︎︎︎


2021 The Oram Award
2014 Artist in Residence, SIM, Iceland
2011 Artist in Residence, Summer Academy, Žagarė, Lithuania
2009 Fulbright Scholarship
Artist in Residence, Virginia Center for the Creative Arts, Amherst, VA
2008Travel and Mobility Award, Virginia Center for the Creative Arts, Amherst, VA
2006 Artist in Residence, Carlow Arts Festival, Eigse, Ireland
2006 Irish Arts Council Professional Development and Training Award
2005 Irish Arts Council Award Travel Award
2005 Bank of Ireland Arts Centre Millennium Scholars Award
2005 Artist in Residence, Artconnexion, Lille, FrancePRESS︎︎︎

Una Mullally, ‘What’s Next For...?: Vivienne Griffin,’ The Irish Times, 2024
Vivienne Griffin at Bureau New York, Contemporary Art Daily, 2024

Christopher Michael, 'VIVIENNE GRIFFIN, on deconstructing traditional approaches to multimedia art, CLOT Magazine, 2023
Museum of Non-visible Art - Vivienne Griffin interview
Space Studios - Interview with Vivienne Griffin
Anna Kudron &#38;amp; Eszter Boklov, ‘The Dead Beat Poet,’ Philosophy No. 7, 2016
Orit Gat, ‘Vivienne Griffin,’ Frieze Magazine, 2015
Emmalea Russo, 'Darkly Iridescent: Vivienne Griffin at Bureau,' Artcritical.com, 2015
Will Heinrich, 'Vivienne Griffin: The Me Song for Now Here at Bureau,' GalleristNY, 2013
Georgia Wells, ‘Everything Goes: Vivienne Griffin's all-consuming art,' Modern Painters, 2013
'Vivienne Griffin,' The New Yorker, 2013




&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 
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.&#38;nbsp; &#38;nbsp;


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︎ &#38;nbsp;

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